Various
Heat Waves 2026
Summer is now in full swing, which can only mean one thing here at Eyelevel!
For the past 7 years, the summer months have been dedicated to HEAT WAVES, our annual, low-pressure, self-directed mini-residency program, where we host a small group of emerging artists to experiment and hone their craft. Residents receive 24-hour studio access, a stipend to cover materials, and support from the Eyelevel staff.
This year, we are hosting a lovely array of artists for the entire month of July, with a group artist talk taking place sometime in the month of August (date TBD, check back soon!)
Please join us in welcoming this year’s residents!
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Rebecca Cooper (she/her)
Rebecca Cooper is an emerging artist and Dalhousie University student based in Halifax/Kjipuktuk. Her creative practice is rooted in story, memory, care, and the quiet emotional landscapes of everyday life. She is drawn to the ways creativity, expression, and shared experience can build connection, offer refuge, and support healing within individuals and communities. Her work is interested in care, imagination, and the small moments that shape how we understand ourselves and one another.
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Omen Mather (they/them, @omen.ames on Instagram)
Omen Mather (they/them) is a white, queer, Fat, and Disabled textile artist and writer living in Kjipuktuk. Through quilting, embroidery, and writing, Omen’s work details the haunting nature of sickness, grief, and survival in a medicalized, Fat body just trying to exist.
Omen is working toward completing a compilation of work started in 2024 that chronicles the gifts and horrors of madness, transformation, and a body not fit for this realm. Omen plays with ghosts of grief, reorienting toward what it means to stay fat and otherworldly.
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Yuting Song (She/Her, @yuting_songasong on Instagram)
Yuting Song is a contemporary visual artist specializing in large-scale ink on Xuan paper. Placing embodiment at the very center of her practice, her brushwork, breath, and movement become organic carriers of lived experience. Working between control and chance, she actively shapes each fluid image through the interplay of her body, ink, water, gravity, and time. Her work beautifully intersects Chinese ink traditions with contemporary feminist discourse and theories of embodied acknowledgement. Through these resilient paper works, she creates a space of care, inviting viewers to reflect on cross-cultural migration, diaspora, and the quiet courage to begin again.
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Sheila Smyth (she/they, @smyth6491 on Instagram)
I was born in Montreal (1966). I created BABBLE, an artist's zine (1986-1992 Toronto) under the pseudonym Mr. Bones. I participated in artist collectives: The Purple Institution (1989-1990 Toronto), Gargoyle Mechanique (1990-1992 NYC). I received a BFA from NSCAD (1999). I created no work for 20 years due to being over-medicated for a ‘mental disability’. I am a performance poet and also work in collage, assemblage, and textiles. I am working on a memoir, SCREWLOOSE. I am preparing for a show with Michael Fernandes at the Dalhousie Art Gallery in January 2027. My work is concerned with spirituality, community, political autonomy, and intellectual freedom.
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Artists include:




